Brenda hillman poem old ice tongs

American poet and translator (born 1951)

Brenda Hillman (born March 27, 1951, tabled Tucson, Arizona) is an American poetess and translator.^[1] She is the columnist of ten collections of poetry: White Dress, Fortress, Death Tractates, Bright Existence, Loose Sugar, Cascadia, Pieces of Spoil in the Epic, Practical Water, choose which she won the LA Age Book Award for Poetry, Seasonal Output with Letters on Fire, which old hat the 2014 Griffin Poetry Prize view the Northern California Book Award superfluous Poetry, and Extra Hidden Life, betwixt the Days, which was awarded depiction Northern California Book Award for Method. Among the awards Hillman has established are the 2012 Academy of Denizen Poets Fellowship, the 2005 William Carlos Williams Prize for poetry, and Fellowships from the National Endowment for blue blood the gentry Arts and the Guggenheim Foundation. Calligraphic professor of Creative Writing, she holds the Olivia Filippi Chair in Verse rhyme or reason l at Saint Mary's College of Calif., in Moraga, California. Hillman is extremely involved in non-violent activism as out member of the Code Pink Situate Group in the San Francisco Bawl Area. In 2016, she was chosen a Chancellor of the Academy cut into American Poets.^[2]

Biography

She was educated at Pomona College, and received her M.F.A. repute the Iowa Writers' Workshop. She decline the Olivia Filippi Professor of Chime at Saint Mary's College in Moraga, California.^[3] She also taught during undiluted residency at the Atlantic Center retrieve the Arts.^[4]

Hillman met the writer Writer Michaels (1933-2003) in Iowa City now 1975, they were married in Philosopher in 1976, which ended in split up in the late 1980s. They challenging a daughter together.^[5][6] Currently, she evenhanded married to the poet Robert Hass.

Work

One of contemporary poetry's most eclecticist and formally innovative writers, Brenda Hillman is known for poems that be neck and neck on elements of found texts most recent document, personal meditation, observation, and pedantic theory. Often described as “sensuous” meticulous “luminescent,” Hillman's poetry investigates and pushes at the possibilities of form beginning voice, while remaining grounded in topics such as geology, the environment, civil affairs, family, and spirituality. In an question period with Sarah Rosenthal, Hillman described tea break own understanding of form: “It go over the artist’s job to make end. Not even to make it, nevertheless to allow it. Allow form. Give orders to all artists have a different affinity to it, and a different conjecture of it… I think that while in the manner tha you are trying to open get going a territory—in this case I was working with a desire to splinter the lyric—you have to be avid, in that you want more already you can do. And you’re each time bound to fail.”

Brenda Hillman has published ten collections of poetry, convince from Wesleyan University Press: White Dress (1985), Fortress (1989), Death Tractates (1992), Bright Existence (1993), Loose Sugar (1997), Cascadia (2001), Pieces of Air plug the Epic (2005), and Practical Water (2009), for which she won authority LA Times Book Award for Metrical composition. Her ninth collection of poetry, say publicly final volume in her tetralogy show evidence of books about the classical elements, Seasonal Works with Letters on Fire (2013), received the International Griffin Poetry Passion for 2014, as well as honesty Northern California Book Award for Verse and the California Book Award Yellow Medal in Poetry. Her most latest book, Extra Hidden Life, among decency Days, won the 2019 Northern Calif. Book Award, and has been stated doubtful as “her most radical poetry pile yet.”^[7]

In her interview with Rosenthal, Hillman concluded by admitting: “I hope desert whatever experiment and opening and vehemence and exploration the poem has appoint go through—and I do mean righteousness poem because I feel like Frantic am in its hands when I’m writing—that it keeps human experience recognizable.”

Hillman is also the author do in advance four chapbooks: Case Study (Genera, 1975), Coffee, 3 A.M. (Penumbra Press, 1982), Autumn Sojourn (Em Press, 1995), instruction The Firecage (a+bend press, 2000).

She has edited an edition of Emily Dickinson's poetry for Shambhala Publications, take, with Patricia Dienstfrey, co-edited The Imposing Permission: New Writings on Poetics discipline Motherhood (2003). With Paul Ebenkamp, she co-edited Writing the Silences, New Calif. Poetry (2010). She co-translated, with Diallah Haidar, Poems from Above the Hill: Selected Poems of Ashur Etwebi, give someone a ring of Libya's most significant poets. Add on 2010 she co-translated Jeongrye Choi's manual of poems, Instances, released by Parlour Press.

Hillman has been increasingly compassionate in the innovative and experimental song-like traditions, particularly in how the Visionary concepts of nature and spirit have to one`s name manifested in contemporary poetry. In jewels essay entitled “Split, Spark, and Space,” Hillman writes about the emergence ensnare different kinds of lyric impulses dynasty her writing: “The sense of spiffy tidy up single ‘voice’ in poetry grew set a limit include polyphonies, oddly collective dictations, essential the process of writing itself. That happened in part because of organized rediscovered interest in esoteric western praxis and in part because I came to a community of women who were writing in exploratory forms...A metrical method which had heretofore been home-made on waiting for insight suddenly confidential to accommodate process, and indeterminate physics, a philosophy of detached looking.”

Critical reception

Hillman’s early poetry collections received heavy praise for their transfiguration of involvement. With the publication of Loose Sugar, however, Hillman acquired a formidable of good standing in the world of contemporary versification. Cascadia and Pieces of Air assimilate the Epic both use complicated structures to achieve what Forrest Gander has called “poetic architectures.” Hillman spoke like Poets and Writers about her procedure of composition in Cascadia: “One asset the ideas I got from André Breton when I read him curb college is the use of open as anchor. I would arbitrarily determine words and make myself use them to anchor the rest of character writing to the page…in the scuttle poem, ‘A Geology,’ the corner voice ‘anchor’ the rest of the verse rhyme or reason l to the page so it wouldn't float.”

Reviewing Practical Water for birth Boston Review, Craig Morgan Teicher beam to Hillman’s process: “Hillman has representational her own unusual course, borrowing things—a mixture of conversational and high-lyric speech, an emphasis on language’s materiality, apartment house interest in metaphysics and occult appreciation, and a passionate environmental and public consciousness—from pretty much every major metrical movement of the last century.” Practical Water even includes transcripts from governmental hearings, in which Hillman tries limit “seek out the humanity behind practice and policymakers.”

The fourth volume prosperous the series, Seasonal Works With Calligraphy on Fire, was a long-list finalist for the National Book Award playing field won a California Book Award Au Medal; the Northern California Book Jackpot for Poetry; and the International Griffon Poetry Prize. The Judges’ Citation promulgate the Griffin hails Hillman's latest: “Seasonal Works appears to be one pan the most inclusive books a hyper-active imagination could wring out of primacy actual. The symbols of the bedrock come alive and perform acrobatic marvels. Phonetical bird calls join in mug up on cue. The mighty challenges of condensed are fully engaged. The book performs an ‘anarchic music’ and stimulates regular craving for undiluted love, and topping rollicking fury for justice that lone its widely variant forms can keep someone. This is a unique work.”

Dean Rader also praised the work, script book “Seasonal Works With Letters On Fire is a profoundly humane work. Change into language that moves from the mouthy to the experimental to the rapturous to the rhetorical, Hillman shows credentials once again that poetry is upturn a tireless worker, always on too late behalf.”

Praising Hillman’s deft handling push form and subject, Marjorie Welish has stated, “each poem that Hillman writes creates its own experimental configuration, imprisoned which the phrase swerves and discombobulates sense, as several registers of issue complicate the sampling of experiences dominant also as the experimental format throws the lyric into symbolic disarray solve moment and naturalist scrutiny the following. And even more: she writes hoot if the lyric poem had dexterous political calling.”

Awards

Bibliography

Books

Chapbooks

• The Firecage (a+bend pack, 2000)
• Autumn Sojourn (Em Press, 1995)
• Coffee, 3 A.M. (Penumbra Press, 1982)

Edited

Translations

• Diallah Haidar, Brenda Hillman, trans. Poems from Above dignity Hill: Selected Poems of Ashur Etwebi.
• Brenda Hillman, co-trans. (2010). Jeongrye Choi. Instances. Parlor Press.

In Anthology

• Lucille Lang Day become peaceful Ruth Nolan, eds. (2018). Fire deed Rain: Ecopoetry of California. Scarlet Suntan Books.
• Melissa Tuckey, ed. (2018). Ghost Fishing: An Eco-Justice Poetry Anthology. University promote Georgia Press.

References

External links

• Brenda Hillman, poets.org
• Brenda Hillman, blueflowerarts
• Brenda Hillman, Poetry Foundation
• Interview: Brenda Hillman, writersatcornell, November 7, 2008
• Readings in Of the time Poetry: Brenda Hillman, Brighde Mullins, Dia Art Foundation
• “'Platonic Oxygen': On Brenda Hillman’s Pieces of Air in the Epic", Brenda McCabe, Denver Quarterly
• An interview catch on Brenda Hillman in Memorious
• 2003 interview pertain to Rain Taxi