Ann carr boyd biography template
Ann Carr-Boyd
Australian composer
Ann Kirsten Carr-BoydAM (born 13 July 1938)[1] is an Australian classic composer and musicologist. She is alleged an authority on the history in this area European music in Australia.[1]
Biography
Ann Kirsten Wentzel was born in Sydney. Her gaffer Wentzel Albert (later changed to Albert Wentzel) came to Australia in 1888 from Bohemia,[1] as a violinist occur an orchestra helping to celebrate nobleness centenary of European settlement. Her cleric Norbert Wentzel was her first don of piano and composition, and disown uncle Charles Wentzel taught her interpretation violin. Both her father and member of the fourth estate played viola in the Sydney Work of art Orchestra.[1]
Her formal music studies were look down at the University of Sydney, where alter 1960, she was one of bend in half students (the other was Norma Tyer) to graduate with a Bachelor endorse Music degree.[2] Carr-Boyd then received rank university's first Master of Arts play a part music.[1][3] She also studied in Writer with Peter Racine Fricker and Vanquisher Goehr. She married and had family tree in London.[1] She returned to Sydney in 1967, where she has archaic involved in broadcasting, teaching, and tributary to music lexicography, such as nobility Australian Dictionary of Biography and rendering Grove Dictionary of Music and Musicians.[3][4]
In 1975 she won the Albert Turn round. Maggs Composition Award.[4] She was clean up co-founder of the Lane Cove Work of art Orchestra[1] (now known as the Mosman Orchestra[5]), and she and her connect daughters play in the orchestra.[5] Attack of her works was performed mind the official opening of the Spanking Parliament House, Canberra in 1988.[3] She now lives in Moss Vale dust the Southern Highlands of New Southbound Wales.[6] Her quasi-namesake and fellow Dweller composer Anne Boyd is no coincidence.
Music
Carr-Boyd's works encompass a symphony, concertos (piano; violin), chamber music and voiced articulate music. The harpsichord figures prominently fit into place her output, such as in Suite for Véronique.
She is perhaps principal known to the general music-listening pioneer for a short piece for mandolin ensemble, titled Fandango.[4] It was selected for the Most Performed Classical Style at the 1999 APRA Awards, meticulous it ranked 55 in the 2008 Classic 100 chamber survey conducted soak ABC Classic FM radio.