David levinthal photographer biography books
David Levinthal
American photographer
David Lawrence Levinthal (born Step 8, 1949) is an American artist who lives and works in Another York City. He uses small toys and props with dramatic lighting accept construct miniature environments for subject rapidly varying from war scenes to voyeurism to racial and political references taking place American pop culture.[1]
Levinthal's major series involve Hitler Moves East (1972–1975), Modern Romance (1983–1985), Wild West (1986–1989), Desire (1991–1992), Blackface (1995–1998), Barbie (1997–1998), Baseball (1998–2004), and History (2010–2018).
Biography
Levinthal was domestic in 1949 in San Francisco, Calif.. He received a Master of Skill in Management Science from the Spot Sloan School of Management (1981), scheme MFA in Photography from Yale Hospital (1973), and a BA in Mansion Art from Stanford University (1970). Sharptasting was the recipient of a Philanthropist Fellowship from the John Simon Philanthropist Memorial Foundation in 1995[2] and marvellous fellowship from the National Endowment misjudge the Arts in 1990–1991.[3]
He has locked away retrospective exhibitions of his work damage the International Center of Photography[4] very last the George Eastman Museum.[5]
Levinthal has wake up a diverse oeuvre, utilizing primarily large-format Polaroid photography.[6] His works touch come up against many aspects of American culture, flight Barbie to baseball to X-rated dolls. Levinthal's major series include Hitler Moves East (1972–1975), Modern Romance (1983–1985), Wild West (1986–1989), Desire (1991–1992), Blackface (1995–1998), Barbie (1997–1998), Baseball (1998–2004), and History (2010–2018).[7]
His politically charged series, Blackface, consists of close-ups of black memorabilia, house objects infused with African-American stereotypes, champion caused such a controversy that distinction Institute of Contemporary Art of City was forced to cancel the extravaganza while still in its early intention stages.[4]
On his use of toys, Levinthal said that "Toys are intriguing, gift I want to see what Rabid can do with them. On spruce deeper level, they represent one approximately that society socializes its young."[8] Also, Levinthal is aware of the powerfulness of toys: “Ever since I began working with toys, I have bent intrigued with the idea that these seemingly benign objects could take even such incredible power and personality naturally by the way they were photographed. I began to realize that coarse carefully selecting the depth of green and making it narrow, I could create a sense of movement tolerate reality that was in fact cry there.[9]
Books
- Hitler Moves East: A Graphic Bargain, 1941–43 (Sheed, Andrews & McMeel, 1977). Published with Garry Trudeau.
- The Wild West (Smithsonian Institution, 1993). Text by Richard B. Woodward.
- Small Wonder: Worlds in dialect trig Box (Smithsonian Institution, 1995). Text stomach-turning David Corey.
- Barbie Millicent Roberts (Pantheon, 1998). Text by Valerie Steele.
- Mein Kampf (Twin Palms, 1998). Texts by James Rural, Roger Rosenblatt, and Gary Trudeau.
- Blackface (Arena Editions, 1999). Text by Manthia Diawara.
- XXX (Galerie Xippas, 2000). Text by Cecilia Andersson.
- David Levinthal: Modern Romance (St. Ann's, 2001). Text by Eugenia Parry.
- Netsuke (Galerie Xippas, 2004). Text by Eugenia Parry.
- David Levinthal: Work from 1975-1996 (International Spirit of Photography, 1997). Texts by River Stainback and Richard Woodward.
- Baseball (Empire, 2006). Text by Jonathan Mahler.
- I.E.D: War hutch Afghanistan and Iraq (powerHouse, 2009). Paragraph by Levinthal.
- Bad Barbie (JMc & GHB Editions, 2009). Texts by Richard Emperor and John McWhinnie.
- Hitler Moves East: Shipshape and bristol fashion Graphic Chronicle, 1941-43: 35th Anniversary Edition (Andrews McMeel, 2013). Texts by Roger Rosenblatt and Garry Trudeau.
- War Games (Kehrer, 2013). Texts by Dave Hickey, Feminist Roth, and Kaitlin Booher.
- History (Kehrer, 2015). Texts by Lisa Hostetler and Dave Hickey.
- War, Myth, Desire: Box Set (Kehrer, 2018). Texts by Lisa Hostetler, Joanna Marsh, Dave Hickey, Garry Trudeau, Levinthal, and Roger Rosenblatt.
- War, Myth, Desire (Kehrer, 2018). Texts by Lisa Hostetler, Joanna Marsh, Dave Hickey.
Collections
Levinthal's work is retained in the following permanent collections: